Key Features
Short shotgun form factor ideal for compact rigs, gimbal setups and tight interior locations where longer shotguns are impractical.
Highly directional line+gradient design that tightly focuses on the subject while minimizing side and rear noise for cleaner dialogue.
Broadcast‑quality tonal balance tuned for clear, present speech that cuts through background ambience in editing without sounding harsh.
Standard XLR output with phantom power compatibility for camcorders, field recorders, audio interfaces and professional mixers.
Lightweight metal construction that keeps boom poles and camera rigs balanced and comfortable over long shooting days.
Excellent off‑axis rejection that helps control echo and environmental noise in untreated rooms or noisy outdoor locations.
Low self‑noise design that supports subtle performances, interviews and quiet documentary scenes without intrusive hiss.
Benefits
- Cleaner, more intelligible dialogue that focused pickup helps voices sound closer and clearer, even in challenging acoustic environments.
- Professional audio in a compact setup that short length keeps your rig light and discrete while still delivering a cinematic, broadcast‑ready sound.
- More usable takes, less fixing in post that better isolation and clarity at capture mean less noise reduction, EQ correction and ADR later.
- Flexible for multiple shooting styles works equally well on a boom pole, camera shoe mount or pistol grip for run‑and‑gun, interviews and narrative work.
- Ideal upgrade from built‑in camera mics that immediately improves production value for indie filmmakers, content creators, educators and businesses producing in‑house video.
- Reliable for field use that rugged construction and pro connectors withstand frequent setup, teardown and travel between locations.
| Manufacturer | Audio-Technica |
|---|---|
| Manufacturer Part Number | AT875R |
| Product Name | Audio-Technica AT875R Short Shotgun Microphone |
| Product Type | Microphone |
| Element | Fixed-charge back plate, permanently polarized condenser |
| Polar Pattern | Line + gradient |
| Frequency Response | 90–20,000 Hz |
| Open Circuit Sensitivity | –30 dB (31.6 mV) re 1V at 1 Pa |
| Impedance | 100 ohms |
| Maximum Input Sound Level | 127 dB SPL, 1 kHz at 1% T.H.D. |
| Noise (Equivalent Noise Level) | 20 dB SPL |
| Dynamic Range (typical) | 107 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | 74 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 11–52V DC, 2 mA typical |
| Weight | 80 g (2.8 oz) |
| Dimensions | 175.0 mm (6.89") long, 21.0 mm (0.83") diameter |
| Output Connector | Integral 3-pin XLRM-type |
| Audio-Technica Case Style | SG4 |
| Accessories Furnished | AT8405a stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; windscreen (SG4); two o-rings; soft protective pouch |
Frequently Asked Questions
Audio-Technica AT875R Short Shotgun Microphone | New
What is the Audio-Technica AT875R best used for?
Why is the AT875R considered a short shotgun microphone?
Is the AT875R good for on-camera use?
Does the AT875R require phantom power?
Can it be used outdoors?
How directional is the AT875R?
Is it suitable for indoor recording?
Does it work with DSLR and mirrorless cameras?
Is the AT875R good for voice-over work?
How does it compare to longer shotgun microphones?
Does it come with mounting accessories?
Is it good for YouTube and content creation?
Can it handle loud sound sources?
Is it durable enough for field use?
What type of cable does it use?
Can it be used on a boom pole?
Does it reject background noise automatically?
Is it suitable for ENG and news gathering?
Does it color the sound?
Who should buy the AT875R?
Audio-Technica AT875R Short Shotgun Microphone | New
Audio-Technica
